I’ve created a comprehensive guide to novel plot development, character creation and writing preparation — and then I thought I’d share it with everyone else getting ready for NaNoWriMo. After reading Rachel Aaron’s posts on how she achieves 10,000 words per day when writing her novels as well as how she prepares to start a new novel writing project, I started collecting her recommendations and meshing them with other authors such as Holly Lisle, Bob Mayer, and Jim Butcher to create a new Novel Writing Plot Development and Project Worksheet below. I also have some recommended titles for those wanting even more.
Fast Writing Novel Plot Development, Character Creation, and Project Preparation
The PDF version of the Novel Writing Project Worksheets and Guide is below. Check back for the epub and mobi formats coming soon.
You can download the more stylish version below, but here’s a quick summary of the process. I’ll be breaking it down in more detail with individual posts from time to time, but with NaNoWriMo (National Novel Writing Month) coming up, I thought I’d better get the short version up for us all. I’ll keep revising and updating as I find more relevant techniques, tips and suggestions. Continue reading →
While taking a workshop with author Janice MacDonald on developing a traditional fiction story plot (the kind with a beginning, middle and end), I decided to modify one of the templates that came with my Pages program into a set of worksheets. These worksheets can help you outline your fiction plot and determine the story structure.
Check out More Tips & Tools from Creative Writing classes!
The first two are blank worksheets. You can copy them, fill them in, cut them up, move things around. Use them as you wish. There’s a place at the top for the name of novel or chapter and for defining the genre and the characters involve or whatever works for you.
You may want to read some of the other posts on various ways to approach plot and motivation. You can then work with the blank storyboards in developing the internal and external events.
The third worksheet is my own creation from the various things I’ve learned about the traditional story structure. I want to give a big thanks to Janice MacDonald who clarified a great deal of the standard novel structure with her own plot grid. It’s the basis for my small variations.
While the storyboard is designed for the typical 20-chapter genre novel, simply expand the number of chapters between the Plot Points and the Crisis to meet your needs. The last page of the storyboard contains with a basic summary of a traditional novel plot structure as well as 10 Question For Developing Your Plot which help you determine the internal motivation and well as the strongest conflicts confronting your primary character or protagonists. Continue reading →
John Truby’s screenwriting courses and software are a staple of screenwriting classes worldwide. His book,The Anatomy of Story: 22 Steps to Becoming a Master Storyteller
, presents his “Twenty-Two Building Blocks” plot structure is a classic. I purchased one of his first video writing courses mumblety-mumblety years ago when I was writing comedy and spent a lot of time in L.A. Truby combines the mythic story structure of Joseph Campbell (used for such blockbusters as “Star Wars”) with some original expansion to create his twenty-two building blocks. The overall structure is loosely follows the three-act format.
A key concept of Truby’s technique is that plot is what the Character does while the Character is defined by his actions. Essentially, the plotline is the result of the Hero’s (Protagonist’s) actions movtivated by his internal need and an external desire or goal. It’s the classic story structure and in his works, Truby applies his structure to a number of successful classic films (keep in mind Truby has always focused on screenwriting, however, his techniques are the same ones used by blockbuster and enduring novelist as well).